Welcome to the blog of author Tricia Goyer!
Showing posts with label writing advice. Show all posts
Showing posts with label writing advice. Show all posts

Thursday, May 29, 2008

Advice for Novelists (Part 22)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Colleen Coble had this to say: If I had only one thing to say to aspiring writers, I'd tell them not to make my mistake of writing one book then sending it out for YEARS before starting another. Finish a book, edit it to the best of your ability, send it out, then MOVE TO A NEW STORY. If I'd done that, it wouldn't have taken me seven years to be published. I had all my eggs in that one basket and was desperate to have that particular book published. When the rejections came back, I'd rework it and send it out again. And again. And again. You get the picture. LOL

You learn more about writing by writing. Reading books and attending conferences (while all good and necessary to my mind) aren't substitutes for actually DOING it.

--Colleen Coble, author of Anathema, Abomination, The Rock Harbor series, and more. Visit her online at her website here and the Girls Write Out Blog.

Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends.

Tuesday, May 20, 2008

Advice for Novelists (Part 19)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Jeff Gerke: If I were sitting across the table from an aspiring novelist who needed the first bit of guidance, I would tell him to learn his craft.

Some things about the path of a novelist can't be taught. Perseverance, for instance. An abundance of story and character ideas. A tale burning a hole in your heart. But the craft of fiction can be taught, and the novelist who does not commit himself to years in pursuit of its mastery might as well spend the time doing something else. Like playing video games.
Read the rest here.

--Jeff Gerke, novelist, book doctor & publisher of Marcher Lord Press (Be sure to check out his informative website WhereTheMapEnds.)


Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Thursday, May 15, 2008

Advice for Novelists (Part 18)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Nick Harrison: The one thing I would say is that becoming a successful writer is a result of doing many things; some easy, some hard. First is to make sure this is what God wants you to do. Then trust that He will open any necessary doors for you to succeed. Then, write from your heart. Write with passion. As Thomas Carlyle said, "If a book comes from the heart, it will contrive to reach other hearts. "arrison: Read the rest here.

--Nick Harrison, Senior Editor, Harvest House Publishers

Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Tuesday, April 29, 2008

Advice for Novelists (Part 13)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Chip MacGregor: "Write with verbs and nouns."

I read that advice in Strunk and White's Elements of Style back in high school, and it's still the best bit of writing advice I've ever heard. Too many writers will show me flowery, painted-up hoo-haw that has lots of description and plenty of color, but no power. To add punch to your writing, cut it back. Clean it up. Spend the time selecting the right nouns so you don't have to prop them up with adjectives in an attempt to clarify them. Give me direct verbs, so you aren't trying to dress up your weak writing with adverbs. Verbs and nouns -- that's where the story is told.

--Chip MacGregor, Literary Agent, MacGregor Literary. (Visit Chip's informative blog here.)


Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Thursday, April 17, 2008

Advice for Novelists (Part 10)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Ted Dekker's advice: Finish the novel. Then write another one. And then, write another one. During this time you can look for an agent. You have to have an agent. No publishers will look at you otherwise. If you give up after your first book, you were never meant to be an author. If you give up after the second one, you still were never meant to be an author. Publishing requires writing and writing and writing. When you have three complete novels, you probably will be published. My fourth novel was published.

Ted Dekker, author of Skin, Adam, The Circle Trilogy, House, and many other bestselling novels.

Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Tuesday, April 8, 2008

Advice for Novelists (Part 7)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Rachelle Gardner had this to say... The biggest mistake I see novelists making is trying to get published too soon. My Native American friend Russell Means used to tell me, "It takes the time it takes." He was always trying to get me to stop rushing. Now that mantra sticks in my mind when I find myself trying to force something before its time. Read the rest here.


Rachelle Gardner, Literary Agent, WordServe Literary (Be sure to check out her terrific blog here that's full of more insights like this!)


Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Tuesday, April 1, 2008

Advice for Novelists (Part 5)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Rod Morris had this to say:
Don't preach to your readers and don't give in to the temptation to explain (tell) what's going on in your story. Know your characters intimately and let us see and hear them in action, then trust the power of their story to convey the theme or message of your novel.

--Rod Morris, Senior Editor, Harvest House Publishers

Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Thursday, March 27, 2008

Advice for Novelists (Part 4)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

James Scott Bell's advice is this: Arnold Palmer said golf came down basically to this: hit it, find it,then hit it again. Well, writing is sort of like that, too. Write it, edit it, then write it again. When you write, don't be hung up on making it perfect. Don't be bollixed up on writing techniques.
Read the rest here


Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Wednesday, March 26, 2008

Advice for Novelists (Part 3)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Sue Brower, Sr. Acquisitions Editor, Fiction & Inspiration, Zondervan had this to say...

Finish your novel! I often hear from novelists who have a complete marketing plan, list of endorsers, and brand strategy—but only three chapters of their novel completed. It is very difficult for an editor to evaluate your work if it’s not complete. read the rest here


Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Thursday, March 20, 2008

Advice for Novelists (Part 2)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Publisher, Don Pape had this to say: Write for the pure passion and joy of it. Don't write so to give us the "next Left Behind" or to be another Beverly Lewis. Be original and creative - as the Creator is! Be disciplined. Too many writers want to kick out the next bestseller in a weekend. Get up each morning and spend an hour honing your craft. Find other writers that can be mentors and provide the "iron sharpening iron" in your life. Don't write to get published. A contract is the gravy. Write for the delight of putting to paper words.--Don Pape, Publisher - Trade Books, David C. Cook


Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Tuesday, March 18, 2008

Advice for Novelists (Part 1)

C.J. Darlington, co-founder of TitleTrakk, is running a great series on her blog: She started a series of blog posts in which industry professionals (editors, agents, publicists, authors, etc.) share their responses to this question:

"If you could say one thing to aspiring novelists, what would you say?"

Charlene Patterson, Fiction Acquisitions Editor at Bethany House Publishers has this to say:

"First of all, write. Don't just talk about or think about or pray about writing. Write. Secondly, if you want to be published, do your homework. Can you imagine an aspiring optometrist showing up at Lens Crafters saying, "Yeah, I've been practicing in my house. Anybody need their eyes checked?" Read the rest here

I'll be sharing this great advice from C.J.'s blog every Tuesday and Thursday!



Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends. Congratulations! Cheri stopped lurking last week on My Writing Mentor!

Sunday, March 9, 2008

Conveying emotion...

Angela Hunt posted this on one of the writer's loops I am a part of...

One of Sol Stein's chief admonitions to novelists is that a novel should provide an EMOTIONAL experience. We read nonfiction to learn; we read novels for that vicarious emotional experience.This is a challenge for novelists who love to teach. We have to overcome our natural reluctance to give the facts and concentrate HARD on providing the emotions.

One of the things the Don taught me was to separate out my scenes (or cards, an Excel chart, or whatever), and then pinpoint the emotional import of each scene. If I'm drawing a blank, so is the reader, so I have to find some way to up the emotional ante.

Angie

This is GREAT advice!


Stop Lurking! Every week I will draw names for a free Tricia Goyer book from those who comment on my blogs. Winner's choice! Tell your friends

Wednesday, December 19, 2007

Your Heartache, Your Story

The themes for my novels have a common thread. They center around ordinary people plopped into extraordinary situations (mostly centered around war), and with the guidance of God these people rise above ... and help and save others in the process.

Also, all my novels have some level of abandonment by a parent that leads to internal struggles. I never planned this, but looking back it's in all my books! Even my third (and final) novel in my Spanish Civil War series.

As I was writing book #3 a light clicked on and suddenly every element of the story came together as it was revealed to me that one of my main characters was abandoned by a parent ... and WHO he really is.

I didn't plan that in Book #1, but it seems as if I did. It makes the whole story work and takes the whole series to a deeper level than I anticipated.

Hmmm ... as someone who didn't meet my biological dad until my late 20s and who got pregnant and was abandoned by my boyfriend as a teen I WONDER why I keep writing about this issue?!

This reminds me about something I read this morning from the book Loving God by Chuck Colson:

>
One Easter morning, as I sat in the chapel at the Delaware State Prison waiting to preach, my mind drifted back in time ... to scholarships and honors earned, cases argued and won, great decisions made from lofty government offices. My life had been the perfect success story, the great American dream fulfilled.

But all at once I realized that it was not my success God had used to enable me to help those in this prison, or in hundreds others like it. My life of success was not what made this morning so glorious--all my achievements meant nothing in God's economy. No, the real legacy of my life was my biggest failure--that I was an ex-convict. My greatest humiliation--being sent to prison--was the beginning of God's greatest use of my life; he chose the one experience in which I could not glory for his glory.

Confronted with this staggering truth, I understood with a jolt that I had been looking at life backward. But now I could see: Only when I lost everything that I thought made Charles Colson a great guy had I found the true self God intended me to be and the true purpose of my life.

It is not what we do that matters, but what a sovereign God chooses to do through us.
>

Consider this in your own writing. Do your historical novels have elements of your greatest loss and humiliation? If not, my suggestion is that you prayerfully mine those areas, because it is there you can write with passion, pain and conviction. It is from those hurt places that you will touch the soul of a reader in ways you never expected.

Tricia Goyer
http://www.triciagoyer.com/

Friday, October 19, 2007

A Scrupulous Writer

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus:
1. What am I trying to say?
2. What words will express it?
3. What image or idiom will make it clearer?
4. Is this image fresh enough to have an effect?

George Orwell, "Politics and the English Language", 1946
English essayist, novelist, & satirist (1903 - 1950)

Friday, August 17, 2007

35 Things you need to know about writing...


Check out 1-6 here, and 7-9 here and 10-14 here
and 15 -19 here and 20-23 here anad 24-26 here!


#27: Have a clearly definable conflict in your story—not a negative one either. Not a passive one—resisting change. A negative goal makes it difficult to keep your characters together. Not—they don't want to be together because he reminds her of something bad. But— she must convince him to admit his paternity to his daughter before it's too late for the child to have the needed surgery.
linda ford

#28: Put the reader in the action. Seriously. Let the reader experience the emotions and the journey. It's another way of saying show, don't tell.
linda ford

#29: Walking, talking, coffee drinking are boring. Don't bore the reader. Dramatic events would be nice. No, not just nice. They are essential. Always think events--real time, real space, real action.
linda ford

#30: Never let the tension drop! Tension and excitement on every page is more than a nice bonus. It's essential. A person shouldn't be able to skip even one page, let alone 4 or 5 or heaven forbid, skim through the book looking for something that moves the story forward.
linda ford

#31: Research is good but only if it somehow impacts the characters or adds colorful detail.

Monday, July 30, 2007

2 by Lewis


Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.

Don't use words too big for the subject. Don't say 'infinitely' when you mean 'very'; otherwise you'll have no word left when you want to talk about something really infinite.

C. S. Lewis
English essayist & juvenile novelist (1898 - 1963)

Thursday, June 21, 2007

Thursday Tip...Writing Non-fiction

My all-time-favorite advice for writing non-fiction!

Craft something specifically to meet the felt-need of your audience.

Just as if you wouldn’t knit a sweater that fits YOU and sent it out to others trying to sell it, so you don’t craft an article or book proposal with your fit in mind. Or a one-size-fits-all. Who really believes that?

I think “package” when I create a proposal. For example, when I wrote a parenting book for Gen Xers (Generation NeXt Parenting), I thought about their fit. I use 80s song titles, short chapters, lots of input from Gen-Xers as side quotes, and I write about topics that fit them.

When I wrote for teen girls (My Life, Unscripted), I centered everything on the drama of their lives. The book is about writing their own script for their lives. I crafted actual scripts from my teen years … ones for them NOT to follow. I use screen writing themes and carried these over for my chapters. And I describe the Bible as God’s drama. I also included comments from real-life drama from girls. Teen girls LOVE this book. Gen Xers love the parenting book … because it fits them. They think, “Finally, something just for me!”

Tuesday, May 8, 2007

To Answer your question...

Today's question is: How can you get over the feeling that what you are doing just isn't good enough to publish? I tend to get bogged down rewriting the first few chapters until I lose all momentum for my first draft. On my current project, I'm trying to just write the story all the way through without letting myself revise, but I wonder if that is the correct way to go about it.

A few authors answer that question!

Stephanie Higgins: If you ever figure this one out, you can write a book for Writers' Digest and probably never have to work again :-).

An Idea: When you sense this is happening skip ahead to another scene anywhere in the book that you are excited about writing. . .and work on that to refresh yourself mentally.

I don't think there is a "correct" way to write. There is YOUR way and the way that works for you. . . and it sometimes takes a while for a writer to figure this out. And then sometimes what works for one book doesn't work for another and once again, you find a way to make it work. I believe there are as many ways to write a book as there are published writers. We are individuals with different creative gifts and those gifts organize and realize themselves differently. I love Randy Ingermanson's writing, but even thinking about a snowflake makes me want to run screaming the other way.

Sharon Dunn: Great question, been there, done that. The biggest challenge writers face is not learning how to plot or create a character, but learning how to quiet the editor in our head. You know, that voice that says we are not good enough to write a book. Part of the problem is that we as writers have a vision in our head of how we “see” our book. What ends up on the page rarely matches the vision and that is what causes us to think what we wrote isn’t publishable. Most writers have to work toward that vision through rewriting.

First of all, turn off the editor by giving yourself permission to write a less than perfect draft with the understanding that you know you can go back and fix what is not working. My rough draft is a mess. All I am trying to do is get the big scenes in place and because I write mysteries I also have to make sure the clues are in the right place. Once I have scenes in place, I have something to work with. It is not until later drafts that description improves and character motives are clarified and bridge scenes are written. In that early draft, I make notes to myself in bold that says stuff like need more research here, better description, would this character really do that? My favorite thing that I write is, "ick this is not working" or "blah blah blah". I give myself daily page requirements. I only go back and revise if the plot stalls out so badly I can’t move forward.

This method may work with you and it may not. There is no correct way to write a book. All that matters is what the end product looks like. One thing that helped me was I read articles and books about how other writers worked and tried out different things. Adopting some advice and dismissing other things because it didn’t fit my personality. I use a journal where I write about my frustration and fear and brainstorm what needs to happen next. The journal sits beside my lap top. I write long hand rather than journal on the computer something about writing sloppy long hand frees ups creativity.

Take whatever advice I have given and see if it works for you. Throw out what doesn’t work. You’ll figure it out. Happy writing.

Sharon Dunn
www.sharondunnbooks.com
Author of Death of a Garage Sale Newbie


Deb Raney: Well, I’m working on Novel #17 and I still have that feeling with every book Usually after I’ve done the rewrite using my editor’s suggestions I begin to feel like there might be hope, but until the reviews start coming in, I always fear each book is the one that will end my career. My writing style is to write a few pages, go back and edit, write a few more, go back and read from page 1, write some more, etc. leap-frogging my way through the book editing as I go. But I’ve learned there comes a point where I have to quit going back to the very beginning or I’ll never finish. So once you’ve polished five chapters or ten chapters, move on and don’t look back until you’ve polished the next five. Then do a couple of final read-throughs, layering in new things you’ve learned about your characters and strengthening your plot and setting. I think that will keep your momentum going.

Deb Raney
NEW! from Howard Books/Simon & Schuster: REMEMBER TO FORGET
Now updated and expanded: A VOW TO CHERISH (Steeple Hill Books)
The novel that inspired the award-winning film from World Wide Pictures
Visit my Web site at: http://www.deborahraney.com

Monday, April 30, 2007

Theme or plot?

Welcome guest Veronica Heley with more great writing advice!


Which is more important, theme or plot?

Theme should be woven into the plot, so that one is integral to the other. Combining the two, you create an emotional hook to capture and retain the reader's interest, and leave them thinking about your book long after they've finished reading it.

Can you have a book which is all plot, without any theme? Some all-action spy or crime dramas might seem at first sight to have no message. Overall they usually evince two strands; one is that a hunter is never satisfied until he's brought down his quarry, and the other is that crime/spying fails to provide the protagonist with a satisfying lifestyle.

Can you can tie some examples of themes to well-known books and writers? Here are a few examples to get you thinking.
Romance, prejudice, social comment.......Jane Austen, Barbara Cartland

Destruction, reconstruction.......Tolstoy/War & Peace, Nevil Shute/A Town like Alice

Rites of passage, sins of the fathers, redemption.......Khaled Hosseini, The Kite Runner

Triumph of good over evil.......crime stories, JRR Tolkien, The Lord of the Rings

Nurturing talent, taking control of one's life.......Tracy Chevalier/The Pearl Earring

Catharsis through suffering.......Catherine Cookson

You may decide to highlight politically correct themes, or current affairs. Charles Dickens' books, for instance, contained strong themes: indignation over workers' rights, Insolvency, bankruptcy. Damaging pride in various forms. The redeeming power of love and friendship. Self-improvement. The corruption of power. Self-delusion.

People and the way they react to circumstances don't change - but ethics do.

What do you see as possible themes of relevance to society today? Social equality through education, equal pay, pension rights? Or perhaps animal activism, drugs or care in the community?

What theme would you like to explore in your writing? Here are a few powerful ones.
Loss of love, loneliness. Grief and death. Coming to terms with widowhood. Improving one's lot through education, learning from life. Dealing with a lack of self-worth, with evil and with selfishness in others. A new baby as a symbol of hope. Learning how to forgive wrongs. Dealing sensibly or otherwise with money. Stewardship. Revenge. Ambition.

A series of books will probably contain more than one theme. I use several themes in the Eden Hall series, such as lack of self-worth, and forgiveness, but I also write about how a community can be affected by economic factors. In the Ellie Quicke series, my theme is how a fiftyish woman learns to cope with her new life as a widow, and becomes a stronger person in doing so...with side-swipes at the greed and ambition which rule her daughter's life.

Theme and character: What theme or themes you include will shape how your characters develop - and therefore influence the plot. For instance, if you wish to write about revenge, the type of character you choose would influence how he or she might go about exacting vengeance. A weak woman might choose a non-confrontational method, a strong man might go for physical assault. The theme is the same, but the way it is worked out would be different because the characters are different.

Whatever theme or character or plot you choose, it is generally true that a successful book, a book that lingers in the mind, will provide some kind of closure at the end.not only of the plot, but also of the theme. Except in a series where the basic set-up is reproduced time and again, there can be some movement - however slight - to show development of character. This can happen even in a series, though once you've settled on a winning formula, it's hard to improve on it!

Veronica Heley
www.veronicaheley.com